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Nick Tauro Jr.

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A roll of film that I ran through my Diana Mini 35mm camera this week. No jams, no shredded sprockets.

A roll of film that I ran through my Diana Mini 35mm camera this week. No jams, no shredded sprockets.

2020: 29 (How Soon Is Now?)

July 18, 2020

This year has obviously been a challenge for everyone. Whether you have been directly affected by the coronavirus, or involved in the social upheaval that’s been ongoing, whether you lost your job, or work from home, have been anxious, or bored, or angry, or medicated, or drunk, or wide awake, or walking in your sleep… we’ve all had our expectations and our beliefs challenged. You either keep on moving or you get bogged down by the immense weight of it all.

My moods, my reactions, my motivations, my actions… all have swayed like the pendulum of a clock. Some days are overwhelmingly sad, some are anger inducing, some bring moments of peace and joy. Life is like that I guess. The thing that has helped keep me grounded, as I’ve said here before, is my photography. Sometimes it’s the brief escape with a camera in the middle of the day, mask over my nose and mouth, out fighting the harsh July sun. Sometimes it’s a film scanning session, with a good old slab of vinyl on the turntable, headphones on, swamp cooler on. It brings its own kind of meditative release.

I’ve gone deep back into film photography this year, and the slowing down of the process (from exposure to finished image) has been an appreciated diversion from the shit show outside. I’ve also sat on a particular project that I completed just as the pandemic lockdown took hold. I was waiting for the “right” time to release the project, and any time I was ready to pull the trigger, I found another good reason (or bad excuse) to hold off. Enough of that already. A small number of folks (my subscribers) already know the details of this project. For the general public, the details will be coming very soon. Regardless of the financial, social, health and political challenges we are all facing, there still needs to be place for art in the world. Take it if you need it. Let it be what you need it to be. A diversion. An inspiration. A motivation. An indulgence. A challenge.

I continue to be surprised that this solitary effort of mine has reaped such rewards. Friends and strangers who have supported my work. People who want to hear my perspective on photography and creativity. A review of my website traffic always delights me, especially when I see visitors from countries scattered all over the world. It makes me feel a little less alone, a little less isolated.

Thank you for supporting me, for reading these words, for looking at my work, for investing in my vision, via a purchase or just a kind word. It keeps me motivated. So much more to come.

In thoughts Tags thank you, thoughts, film photography, diana, coronavirus
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2020: 20 (The Future Is Unpredictable)

May 16, 2020

I have been going pretty deep into an experimental stage with my photography as of late. Maybe it’s the fucked up reality we are living through, but I have felt a creative liberation of sorts. Whether it’s taping a pinhole lens onto my dSLR, or shooting with plastic cameras, it has helped me find a release from the pendulum swings between boredom and anxiety.

Recently I shot with a Holga camera, even choosing to run a roll of 35mm film through it, to further push myself away from predictability. This week I took it one step further, digging out an old Diana clone (a Windsor, precisely) which is an even cruder, plastic camera that takes 120 film. The Diana and its clones have an almost mythical reputation among film photographers, and as you can see from the contact sheet above, it lives up to its reputation.

Maybe I’ve been on a lucky streak lately, or maybe I’ve finally learned from numerous past mistakes, but the results I’ve been getting with these cameras have been very satisfying. I think I have finally figured out the correct combination of film speed, focus setting, and of course, using copious amounts of black gaffer tape to control light leaks. What I enjoy most about shooting with these cameras is the unpredictability of it all. I honestly don’t know when the roll begins and ends, since I tape over the film counter window, so I arbitrarily lose a shot or two at the start and end of each roll. Framing and composition is a guessing game, as is exposure. But that is where the magic truly lies. Pulling a roll of just-developed film from the processing tank is always a wonderful moment of surprise. As long as there is some kind of image appearing, I consider the whole exercise a success.

Perhaps the unpredictability of shooting film in this manner is the perfect metaphor for our current times, and I am grateful for the possibility of some magical moments to occur.

In film photography, thoughts Tags film photography, plastic camera, diana, holga
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